720p(hd) Panipat Movie
♡♡♡♡♡♡♡
✱✱✱✱✱✱✱
6,8 of 10. creator=Ashutosh Gowariker. audience Score=2075 votes. genres=Drama. release date=2019. Runtime=2 hour 45minutes. I am getting goosebumps. Another Reasons for Those Afghanis to Leave Indian Alliance, who always Preferred Endia over PAKISTAN. Panipat Movie Review: Arjun Kapoor, Sanjay Dutt, Kriti Sanon on a poster (courtesy arjunkapoor) Cast: Arjun Kapoor, Kriti Sanon, Sanjay Dutt, Mohnish Bahl, Padmini Kolhapure, Zeenat Aman Director: Ashutosh Gowariker Rating: 2 stars (Out of 5) A period film about a 18th century Maratha warrior who took on the might of the army of a fierce invader from Afghanistan in an abortive bid to protect his land and people, Panipat - The Great Betrayal is its own worst enemy. Beginning with the tagline and the casting and extending all the way to many of the other artistic choices the director has made, Ashutosh Gowariker's earnest yet erratic recreation of history is crammed with ill-advised incisions that militate against the very purpose of the drama. Falsification isn't the film's worst aberration. Bollywood fans have learnt to live with filmmakers taking liberties with history in the interest of an engaging story aimed at propping up one ideology or the other. But Panipat is anything but engaging. The lumbering nature of the film, aggravated by its three-hour run-time, prevents any sort of emotional connect being formed and sustained between what unfolds on the screen and the audience. It does not help that the burden on lead actor Arjun Kapoor - he dons the guise of Sadashivrao Bhau, who marches fearlessly into the third Battle of Panipat in order to stop Afghan king Ahmad Shah Abdali's campaign to reclaim lost territory in northern India - is way too heavy for him. To be fair, Kapoor responds manfully to the challenge. However, the onerous effort that he needs to put in to make the character work slows down the film and undermines its impact. It is only when Sanjay Dutt surfaces late in the first half as the larger-than-life Abdali that Panipat perks up a tad only to quickly veer back into terrible tedium. The climactic battle scenes, mounted with some flair, go on endlessly with the sole aim of establishing how intrepid Sadashivrao was. All the ammunition at the film's disposal is expended on telling us how glorious the man was even in defeat. Especially weak is the romantic track that sees Sadashivrao and a commoner, medicine woman Parvati (Kriti Sanon), woo each other in the face of the machinations of Gopika Bai (Padmini Kolhapure), wife of Nanasaheb Peshwa (Mohnish Bahl). One stolen moment of fervour leads to an altercation between the lovers and Parvati Bai stomps off the scene without so much as a by-your-leave. In the manner of a true Bollywood hero, Sadashivrao goes out of his way (it entails shedding some blood, his own) to mollify her. The two eventually marry. Their verbal exchanges are randomly and awkwardly peppered with Marathi. " Tumhala maahit aahe... jab main gyarah saal ki thi (You know when I was eleven years old... )", is how one of Parvati Bai's sweet nothings begin. Just doesn't add up. Panipat Movie Review: A still from the film It is also never quite clear what the "great betrayal" in the title refers to. The Mughals are a part of the story and it is suggested, without any shred of evidence, that Abdali invaded northern India at the behest of the Mughals who - the screenplay has no difficulty in establishing this - were in disarray at that point. Late in the film, as war rages, one key ally of the Marathas withdraws his support and leaves the battlefield with his men. This is 'betrayal' all right, but it is anything but 'great'. The central theme of Panipat revolves around Sadashivrao's strategy to unite the Hindu kingdoms of the 1750s and put up a united resistance, but all the talk about these groups coming together to fight for the country rings hollow because the notion of a nation-state was yet to come into play. Conflating Maratha with Indian, Sadashivrao pitches for " ek rashtra " and tells his troops: " Tum desh ke liye lad rahe ho... akramankaari ko rokhne ke liye (You are fighting for your nation... to stop an attacker). " Coming from the mouth of a warrior driven by expansionist zeal to overrun weaker kingdoms, that declamation sounds a bit rich. Panipat Movie Review: Kriti Sanon in a still from the film There is intrigue in the Peshwa's palace, but none can match the perfidious acts committed by the smaller rulers that Sadashivrao magnanimously, altruistically and indefatigably mobilises. One king insists that the Agra Fort be promised to him in return for his allegiance. But Sadashivrao will have none of it. He puts his foot down and loses another ally. The idea is to drive home the unwavering nature of the Maratha commitment to the cause of driving out Abdali. Sadashivrao is the spotless one. He is unimpeachable, and so is his brave wife who accompanies him when he leads his men into battle. Only a handful of the others around the hero measure up. The Nawab of Awadh Shuja-ud-daula (Kunal Kapoor) switches sides without batting an eyelid. He is easily swayed. Of course, there is nobody worse than Abdali, whose introduction is via a scene of a feast in which all manner of meat is on display. But here, Gowariker, demonstrating a certain degree of restraint, does not go the Sanjay Leela Bhansali way and project the Muslim ruler as a carnivorous barbarian given to unbridled excess and brutality. His bursts of rage, however, do have bloody consequences. Panipat Movie Review: Sanjay Dutt in a still from the film Mercifully, the Hindu-Muslim binary isn't as pronounced in Panipat as it usually tends to be in Bollywood pop history films. At the outset, Sadashivrao helps the Peshwa conquer the kingdom of the Nizam of Hyderabad. But the noble warrior isn't blinded by hate. He enlists the Nizam's artillery expert Ibrahim Khan Gardi (Nawab Shah) in his own army against the counsel of his associates. When the battle of Panipat erupts, Ibrahim is at the forefront of the Maratha army leading a full column of men. The counterpoint to this 'good' Muslim is presented by Najib-ud-Dawlah (Mantra in an extended role that allows him to explore conflicting impulses), who deserts the Mughals and becomes Abdali's right hand man in India without ever managing to earn the Afghan king's full trust. He is one of a handful of personages who emerges out of the crowd - the Panipat story-line is overpopulated and new characters keep popping up out of nowhere until the bitter end, leaving the audience guessing. Panipat Movie Review: Arjun Kapoor in a still from the film The film's voice over narration, presented in the form of the recollections of the male protagonist's wife, is comatose. You have got to wait until the very end of the war and the film - both are excruciatingly long - to figure out the reason why this chronicle is this flaccid. Panipat definitely isn't Mohenjo Daro. But is that saying much? It will take three hours of your life and a whole lot of patience to sit through this laboured film. Think twice.
1:33 Nader Shah or Durrani. Salute from pakistan amazing song love from 🇵🇰🇵🇰🇵🇰🇵🇰. Panipat Times Of India's Rating 3. 5/5 avg. users' rating 3. 3/5 Rate Movie Cast: Sanjay Dutt, Kriti Sanon, Arjun Kapoor, Padmini Kolhapure, Zeenat Aman, Mohnish Bahl, Suhasini Mulay, Ravindra Mahajani, Gashmeer Mahajani, Nawab Shah, Krutika Deo, Sham Mashalkar Direction: Ashutosh Gowariker Genre: Drama, Action, History Duration: 2 hours 53 minutes Panipat Movie Review Filmfare Times Of India critic's rating: Maratha pride rules! Shadashivrao Bhau ( Arjun Kapoor), is a commander in his cousin Nanasaheb Peshwa’s (Mohnish Bahl) army. After he wins a decisive battle down South against the Nizam of Udgir, Sadashiv is appointed as the finance minister by Nanasaheb. Troubled by the news that kings up North aren't prompt in paying taxes due to them, he proposes to send a general to teach them a lesson. Najib-Ud-Daula (Mantra) forms an alliance with Afghan chieftain Ahmad Shah Abdali (Sanjay Dutt), and now Sadashiv has to take up the field himself. He's forced by Nanasaheb to take his son and heir Vishwasrao (Abhishek Nigam) on the campaign. His cousin, Shamsher Bahadur (Sahil Salathia) and his captain of armoured guns Ibrahim Khan Gardi (Nawab Khan) are also with him. His newly-wedded wife Parvati Bai (Kriti Sanon) and a host of women and pilgrims too tag along. Sadashiv plans to utilise the services of Maratha chieftains settled along the way, asking them for rations and men, strengthening his army. He also counts in the support of Sikhs and Rajputs against the Afghan invader. His plans almost work. He's successful in taking Delhi. But he's still short of men and rations. He refuses to reach a settlement with Abdali, preferring to fight till his last breath. Despite showcasing individual bravery, the Marathas ultimately lose the battle of Panipat, done in by the treachery of some selfish kings... Ashutosh Gowariker has made a detailed war film, showing us how not only valour but also strategy that makes the difference between victory and defeat. Alliances are the backbone of war. Both sides use all kinds of tactics to draw as many heads of state to their side. The behind-the-scenes happenings are more intriguing than the actual war as they show the political climate of that era. The way horse-trading takes place, one feels nothing has changed. Abdali's character even remarks that the disunity between the Indian rulers will win the war for him. Apart from this, palace intrigue in the Peshwa household is also brought into the limelight.. It's shown how one person's ill ambitions can be the source of destruction for all. The intricately crafted war scenes take the pride of place in the film. You can feel the noise and the tremors go through you when the guns start blazing. The formation of troops, the deployment of various devices add drama to the story. Both Sadashiv and Abdali move their troops like pieces on a chessboard, trying to outguess each other. It's gripping despite the fact that you know the end is going to be tragic. Sadashiv is shown going down fighting like a lion, using every ounce of energy he has to take as many as he can along with him. Parvati Bai too is shown battling soldiers who raid their camp. Gowariker has made a case for Hindu Muslim unity with the film. Bajirao's Muslim son by Mastani, Shamsher is Sadashiv's most trusted aide and goes down fighting alongside him. Ibrahim Khan Gardi is shown to be a crucial component in his war machine as well. There's no melodrama or jingoism involved thankfully. Abdali isn't shown to be a religious maniac but an able general. Nor is Sadashiv Rao fighting for the Hindu pride. He's defending an ideal that's all -- the idea of one nation. At the end, the film gives out the message that war hurts everyone and decimates our finest in the process. Arjun Kapoor is sincere as hell in his role. One can feel his angst, his agony when he realises his own personal bravery isn't enough to turn the tide. He successfully brings out the personality of a warrior who knows the cost of war. Kriti Sanon isn't given a mere eye candy role but stands for women empowerment in the film. Her big moment occurs when she successfully negotiates with Zeenat Aman's character. Sanjay Dutt is as larger-than-life as ever and fills the screen with his presence in every scene. His Abdali isn't as volatile as Ranveer Singh's Khilji but one can sense the madness kept tightly on leash. Padmini Kolhapure, Mohnish Bahl et al remain as dependable like always. Watch the film for its opulence, it's well-choreographed fight scenes, as well as a colourful lesson in history. It might not be all accurate and yet gives you a sense of place and time... Trailer: Panipat Sreeparna Sengupta, December 5, 2019, 5:58 AM IST Panipat Story: In 18th century India, Shadashivrao Bhau, commander-in-chief of the Maratha army, leads his force in the Third Battle of Panipat against Ahmad Shah Abdali, the king of Afghanistan. Panipat Review: Ashutosh Gowariker’s magnum opus ‘Panipat’ is based on historical facts, taking some creative liberties along the way. Shadashivrao Bhau (Arjun Kapoor), is an able commander in his cousin Nanasaheb Peshwa’s (Mohnish Bahl) army. After a victorious battle against the Nizam of Udgir, Shadashivrao Bhau is chosen by the Maratha Peshwa to lead their army to Delhi. Ahmad Shah Abdali (Sanjay Dutt), the king of Afghanistan, has set his inroads into India after forming an alliance with Najib-Ud-Daula (Mantra) with the intention to defeat the Marathas and curb their expanding power. Joining Shadashivrao Bhau and his army on this arduous thousand kilometer journey from Pune to Delhi are also his wife, Parvati Bai (Kriti Sanon), his nephew and the Peshwa heir - Vishwasrao (Abhishek Nigam), his cousin, Shamsher Bahadur (Sahil Salathia) and his trusted aide, Ibrahim Khan Gardi (Nawab Khan). As they traverse through the expanse, they form alliances with other kings to form a robust army to counter Ahmad Shah Abdali's one lakh soldiers. And almost mid-way they come face to face with Ahmad Shah Abdali’s army, with only the raging waters of the Yamuna separating the armies. ‘Panipat’ packs in a layered narrative that delves into the complex politics of the period, the intricate workings of war strategies versus might, negotiation dynamics and the importance of forming alliances. And it also weaves in the love story between Shadashivrao Bhau and Parvati Bai. In fact, the chemistry between Kriti Sanon and Arjun Kapoor as their love story develops, is one of the high points of the film. But with a run-time of close to three hours and the many characters and plot points the film touches upon it becomes a lengthy and at times, tedious watch. Kriti Sanon pulls in a solid, effortless performance with a well-etched out character graph. Arjun Kapoor is sincere and shines in the final war sequence and the romantic scenes. Sanjay Dutt channelizes a menacing act effectively. The film has been mounted on a lavish scale and it comes through in almost every scene. The costume design (Neeta Lulla) and the sets and production design (Nitin Chandrakant Desai) are spectacular and stand out. The songs (Ajay –Atul) add to the mood and are well choreographed. However, it is in the final battle set in 1761, where the mammoth effort that has gone into making the film comes to the fore, as we witness a compelling war sequence. One that almost induces goosebumps. The cinematography (C. K. Muraleedharan), sound design (Stephen Gomes) and the visual effects also blend in seamlessly to give an authentic setting to this period film. The ensemble cast of Mohnish Bahl, Padmini Kohlapure, Zeenat Aman (special appearance) add to the milieu. ‘Panipat’ delves into a significant chapter in history and is a war drama that lauds the unshakeable bravery, courage and the strong principles of the Marathas.
Jai Maratha. DOSE: repeated Methamphetamine (powder / crystals) insufflated Cocaine Crack Cannabis I've been in the dope game for too many years. I remember when crystal (glass) was only used by a select few. Today I see all these young teenagers yearning for the spoon. It drives me insane. I have pretty much ruined my life from my addiction, and well I dont see myself ending my self inflicted tourcher in the near future, I have litterly given my life for my drug. I started using coke (my first drug) when I was 14 years old. I snorted what I thought at the time was a nice fat rail. It made my intire face go numb, and the energy I got was unreal. I enjoyed the over powering self love, I could do anything, be anything euphoric feeling that brought, I was hooked. I didnt move on to everyday use of a substance untill I was in my late teens and early 20's. I was introduced to the 'shit' (crank) by a boyfriend I had my first year of college. It reminded me of the first time I got high. I again could do everything, be anything, I again had something to make me feel important. I not only was hooked but I went out of control in a matter of weeks. Unlike coke, meth is cheap, last longer, and the feeling stays with me the intire night. From that moment on my life went to a different path, one that I am not too proud of. To maintain my ability to afford the life giving substance, I began to peddle it. Unfortunitily I loved my product too much. I began stealing from my family to pay the man, I even lied and told my family I lost my finacial aid to school one semester so they wrote me a check for $3500, all of which went up my nose. I hated myself at that point, and the shit made me feel so much better, making me forget, or temporaily put behind me. At this point in time I was lucky-I didnt go to jail, and didnt get robbed, but in sober moments I was looking over my sholder. Years progress like a movie, in fast motion. Few minor deterances from my 'fun' life landed me in the local emergancy room, and from a overdose to the dentist to have my broken teeth fixed. My face resembled someone who had leporsy, from the burns your mucus membrains get from when your sinuses get inflamed from the stuff that sits in there, that didnt drain. I moved on to IV use. Today, my life is horrible. I am almost thirty and due to my bad habbits I have a hard time finding a job, and then keep it. The mood swings of comming down dont help when you lash out at your boss over the stupidest things. I live with my family because of being 'known' as a drug user and dealer I am not rentable material. I have the worst credit in the world, cause I spend about a $800 a week in personal use, I cant sell the stuff cause I cant afford to buy in quantity (enough to sell). I have also got a nice case of hepatitis C. I got the hepatitis from sharing water with someone who used a dirty needle. So I have litterly given my life. Exp Year: 2001 ExpID: 15108 Gender: Female Age at time of experience: Not Given Published: Jul 2, 2007 Views: 11, 429 [ View as PDF (for printing)] [ View as LaTeX (for geeks)] [ Switch Colors] Methamphetamine (37): Not Applicable (38), Addiction & Habituation (10), Health Problems (27), Retrospective / Summary (11), First Times (2) COPYRIGHTS: All reports are copyright Erowid and you agree not to download or analyze the report data without contacting Erowid Center and receiving permission first. Experience Reports are the writings and opinions of the individual authors who submit them. Some of the activities described are dangerous and/or illegal and none are recommended by Erowid Center.
Durfjg the.
شما آقای عیار بیان نکنید فقط بگویید ابدالی و بس.
Good love from Afg. My personal fav. Song of the year 😍. Ek to apni history hai use kisise compare Na ka kare. Apane purvjo ki kadar hum karenge to bahar Vale karenge.
- https://hatsusenbu.themedia.jp/posts/7874815
- eneryzaid.blogia.com/2020/030701-without-registering-panipat-download-torrent.php
- https://seesaawiki.jp/mushigaho/d/%A2%BAno%20login%20Panipat%20Watch%20Online
- https://seesaawiki.jp/ribakae/d/dual%20audio%20Download%20Free%20Panipat
- www.goodreads.com/group/show/1077058-openload-panipat-free
- https://ganseichi.amebaownd.com/posts/7875590
- seesaawiki.jp/beraneda/d/%A1%C2DVD9%20Download%20Panipat
- https://seesaawiki.jp/jiekin/d/Download%20Panipat%20yifyTorrents%20Without%20Paying%20in%20Hindi
- Panipat: The Great Betrayal
- stackoverflow.com/story/panipat-free-full-without-paying-megavideo-putlockers
Creator - Shishir Pandey
Info: Where do we go from here ?
0 comentarios